The beauty and spirit of Maya Angelou’s words live on in this complete collection of poetry, including her inaugural poem “On the Pulse of Morning”

Throughout her illustrious career in letters, Maya Angelou gifted, healed, and inspired the world with her words. Now the beauty and spirit of those words live on in this new and complete collection of poetry that reflects and honors the writer’s remarkable life.
 
Every poetic phrase, every poignant verse can be found within the pages of this sure-to-be-treasured volume—from her reflections on African American life and hardship in the compilation Just Give Me a Cool Drink of Water ’fore I Diiie (“Though there’s one thing that I cry for / I believe enough to die for / That is every man’s responsibility to man”) to her revolutionary celebrations of womanhood in the poem “Still I Rise” (“Out of the huts of history’s shame / I rise / Up from a past that’s rooted in pain / I rise”) to her “On the Pulse of Morning” tribute at President William Jefferson Clinton’s inauguration (“Lift up your eyes upon / The day breaking for you. / Give birth again / To the dream.”).
 
Maya Angelou: The Complete Poetry also features her final long-form poems, including “A Brave and Startling Truth,” “Amazing Peace,” “His Day Is Done,” and the honest and endearing Mother:
 
“I feared if I let you go
You would leave me eternally.
You smiled at my fears, saying
I could not stay in your lap forever”
 
This collection also includes the never-before-published poem “Amazement Awaits,” commissioned for the 2008 Olympic Games:
 
“We are here at the portal of the world we had wished for
At the lintel of the world we most need.
We are here roaring and singing.
We prove that we can not only make peace, we can bring it with us.”
 
Timeless and prescient, this definitive compendium will warm the hearts of Maya Angelou’s most ardent admirers as it introduces new readers to the legendary poet, activist, and teacher—a phenomenal woman for the ages.

Frost’s early poems, selected by poet David Orr for the centennial of “The Road Not Taken”

A Penguin Classics Deluxe edition

For one hundred years, Robert Frost’s “The Road Not Taken” has enchanted and challenged readers with its deceptively simple premise—a person reaches a fork in the road, facing a choice full of doubt and possibility. The Road Not Taken and Other Poems presents Frost’s best-loved poem along with other works from his brilliant early years, including such poems as “After Apple-Picking,” “The Oven Bird,” and “Mending Wall.” Award-winning poet and critic David Orr’s introduction discusses why Frost remains so central (if often misunderstood) in American culture and how the beautiful intricacy of his poetry keeps inviting generation after generation to search for meaning in his work.

For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

This comprehensive and authoritative collection of all 1,775 poems by Emily Dickinson is an essential volume for all lovers of American literature.
Only eleven of Emily Dickinson's poems were published prior to her death in 1886; the startling originality of her work doomed it to obscurity in her lifetime. Early posthumous published collections -- some of them featuring liberally "edited" versions of the poems -- did not fully and accurately represent Dickinson's bold experiments in prosody, her tragic vision, and the range of her intellectual and emotional explorations. Not until the 1955 publication of The Complete Poems of Emily Dickinson, a three-volume critical edition compiled by Thomas H. Johnson, were readers able for the first time to assess, understand, and appreciate the whole of Dickinson's extraordinary poetic genius. 
This book, a distillation of the three-volume Complete Poems, brings together the original texts of all 1,775 poems that Emily Dickinson wrote. 
"With its chronological arrangement of the poems, this volume becomes more than just a collection; it is at the same time a poetic biography of the thoughts and feelings of a woman whose beauty was deep and lasting." --San Francisco Chronicle

The great war epic of Western literature, translated by acclaimed classicist Robert Fagles.

A Penguin Classic
 
Dating to the ninth century B.C., Homer’s timeless poem still vividly conveys the horror and heroism of men and gods wrestling with towering emotions and battling amidst devastation and destruction, as it moves inexorably to the wrenching, tragic conclusion of the Trojan War. Renowned classicist Bernard Knox observes in his superb introduction that although the violence of the Iliad is grim and relentless, it coexists with both images of civilized life and a poignant yearning for peace.
 
Combining the skills of a poet and scholar, Robert Fagles, winner of the PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters, brings the energy of contemporary language to this enduring heroic epic. He maintains the drive and metric music of Homer’s poetry, and evokes the impact and nuance of the Iliad’s mesmerizing repeated phrases in what Peter Levi calls “an astonishing performance.”

This Penguin Classics Deluxe edition also features French flaps and deckle-edged paper.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.


9780140275360

The great epic of Western literature, translated by the acclaimed classicist Robert Fagles

A Penguin Classic

Robert Fagles, winner of the PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters, presents us with Homer's best-loved and most accessible poem in a stunning modern-verse translation. "Sing to me of the man, Muse, the man of twists and turns driven time and again off course, once he had plundered the hallowed heights of Troy." So begins Robert Fagles' magnificent translation of the Odyssey, which Jasper Griffin in the New York Times Book Review hails as "a distinguished achievement."

If the Iliad is the world's greatest war epic, the Odyssey is literature's grandest evocation of an everyman's journey through life. Odysseus' reliance on his wit and wiliness for survival in his encounters with divine and natural forces during his ten-year voyage home to Ithaca after the Trojan War is at once a timeless human story and an individual test of moral endurance. 

In the myths and legends retold here, Fagles has captured the energy and poetry of Homer's original in a bold, contemporary idiom, and given us an Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery. Renowned classicist Bernard Knox's superb introduction and textual commentary provide insightful background information for the general reader and scholar alike, intensifying the strength of Fagles's translation. This is an Odyssey to delight both the classicist and the general reader, to captivate a new generation of Homer's students. This Penguin Classics Deluxe Edition features French flaps and deckle-edged paper.


For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

“I am large, I contain multitudes”

A Penguin Classic
 
When Walt Whitman self-published his Leaves of Grass in July 1855, he altered the course of literary history. One of the greatest masterpieces of American literature, it redefined the rules of poetry while describing the soul of the American character. Throughout his great career, Whitman continuously revised, expanded, and republished Leaves of Grass, but many critics believe that the book that matters most is the 1855 original. Penguin Classics proudly presents that text in its original and complete form, with an introductory essay by the writer and poet Malcolm Cowley.

“I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.”

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Sara Daniele Rivera’s award-winning debut is a collection of sprawling elegy in the face of catastrophic grief, both personal and public. From the lead-up to the 2016 presidential election through the COVID-19 pandemic, these poems memorialize lost loved ones and meditate on the not-yet gone—all while the wider-world loses its sense of connection, safety, and assurance. In those years of mourning, The Blue Mimes is a book of grounding and heartening resolve, even and especially in the states of uncertainty that define the human condition.

Rivera’s poems travel between Albuquerque, Lima, and Havana, deserts and coastlines and cities, Spanish and English—between modes of language and culture that shape the contours of memory and expose the fault lines of the self. In those inevitable fractures, with honest, off-kilter precision, Rivera vividly renders the ways in which the bereft become approximations of themselves as a means of survival, mimicking the stilted actions of the people they once were. Where speech is not enough, this astonishing collection finds a radical practice in continued searching, endurance without promise—the rifts in communion and incomplete pictures that afford the possibility to heal.

A new book of poems by the three-time poet laureate Robert Pinsky, a writer "rarely equalled" (Louise Glück). 

Robert Pinsky, one of our most ambitious, inventive, and finely tuned poets, takes an original approach to the fraught, central matter of borders in Proverbs of Limbo, his first new book of poetry in eight years. 

In this collection, the poet mines and maps limbal regions: those spaces between differences that can be at once creative and oppressive, enlightening and dark, exciting and fatal. For Pinsky, they include the familiar borders between demographic categories, as well as limbal realities that are more personal—clashing ways of understanding, personal history and world history, health and illness, freedom and compulsion, intimacy and community, personality and culture—all the countless variations of in-between. 

The title Proverbs of Limbo tips its hat, at an angle, to the great poet William Blake’s Proverbs of Hell. Blake’s jagged, contrary proverbs resist, from within, the binary rights and wrongs of conventional Christianity: “The road of excess leads to the palace of wisdom”; “The tygers of wrath are wiser than the horses of instruction.” 

Here, Pinsky embodies a different resistance to different conventions of understanding. “The Buddha,” begins the title poem, “is a liquor store / On a busy corner.”

Winner of the Forward Prize for Best Collection
Finalist for the Kingsley Tufts Poetry Award
Named a Best Book of the Year by NPR
Named One of the Best Poetry Collections of the Year by The Guardian, Literary Hub, and Electric Literature 

A new collection of poetry inspired by the work of Agnes Martin, exploring topics of feminism, art, depression, and grief, by the author of the prizewinning collection Obit. 

Yesterday I slung my depression on my back and went to the museum. I only asked four attendants where the Agnes painting was and the fifth one knew. I walked into the room and saw it right away. From afar, it was a large white square.

With My Back to the World engages with the paintings and writings of Agnes Martin, the celebrated abstract artist, in ways that open up new modes of expression, expanding the scope of what art, poetry, and the human mind can do. Filled with surprise and insight, wit and profundity, the book explores the nature of the self, of existence, life and death, grief and depression, time and space. Strikingly original, fluidly strange, Victoria Chang’s new collection is a book that speaks to how we see and are seen.

Intimate, dissecting, and liberating, Cloud Missives is a poetry collection of excavation and renewal. Like an anthropologist, Kenzie Allen reveals a life from what endures after tragedies and acts of survival. Across four sections, poems explore pop culture--the stereotypes in Peter Pan, Indiana Jones, and beyond--fairy tales, myths, protests, and forgotten histories, before arriving at a dazzling series of love poems that deepen our understanding of romantic, platonic, and communal love.

Cloud Missives is an investigation, a manifestation, and a celebration: of the body, of what we make and remake, of the self, and of the heart. With care and deep attention, it asks what one can reimagine of Indigenous personhood in the wake of colonialism, what healing might look like when loving the world around you--and introduces readers to a profound new voice in poetry.

FINALIST FOR THE 2024 NATIONAL BOOK AWARD FOR POETRY
WINNER OF THE 2024 HEARTLAND BOOKSELLERS AWARD FOR POETRY

Diane Seuss’s signature voice—audacious in its honesty, virtuosic in its artistry, outsider in its attitude—has become one of the most original in contemporary poetry. Her latest collection takes its title, Modern Poetry, from the first textbook Seuss encountered as a child and the first poetry course she took in college, as an enrapt but ill-equipped student, one who felt poetry was beyond her reach. Many of the poems make use of the forms and terms of musical and poetic craft—ballad, fugue, aria, refrain, coda—and contend with the works of writers overrepresented in textbooks and anthologies and those too often underrepresented. Seuss provides a moving account of her picaresque years and their uncertainties, and in the process, she enters the realm between Modernism and Romanticism, between romance and objectivity, with Keats as ghost, lover, and interlocutor.

In poems of rangy curiosity, sharp humor, and illuminating self-scrutiny, Modern Poetry investigates our time’s deep isolation and divisiveness and asks: What can poetry be now? Do poems still have the capacity to mean? “It seems wrong / to curl now within the confines / of a poem,” Seuss writes. “You can’t hide / from what you made / inside what you made.” What she finds there, finally, is a surprising but unmistakable love.

FINALIST FOR THE 2024 NATIONAL BOOK AWARD FOR POETRY

“This is an incredibly powerful book of poetry that is also fiction but it is so real, and singular, as to defy definition, and I defy anyone to read it and come away unchanged.” —Tommy Orange, author of There There and Wandering Stars

A stunning, multimorphic work of poetry and prose about Indigenous identity

mother is a work rooted in an intimate fracture: an Indigenous child is adopted out of her tribe and raised by a non-Indian family. As an adult finding her way back to her origins, our unnamed narrator begins to put the pieces of her birth family's history together through the stories told to her by her mother, father, sister, and brother, all of whom remained on the reservation where she was born. Through oral histories, family lore, and imagined pasts and futures, a collage of their community emerges, raising profound questions about adoption, inheritance, and Indigenous identity in America.

Through poetic vignettes whose unconventional forms mirror the nonlinear, patchwork process of constructing a sense of self, m.s. RedCherries has crafted an indelible and utterly original work about the winding roads that lead us home.

An arresting study of memory, perception, and the human condition, from the Pulitzer Prize winner Carl Phillips. 

Carl Phillips’s Scattered Snows, to the North is a collection about distortion and revelation, about knowing and the unreliability of a knowing that’s based on human memory. If the poet’s last few books have concerned themselves with power, this one focuses on vulnerability: the usefulness of embracing it and of releasing ourselves from the need to understand our past. If we remember a thing, did it happen? If we believe it didn’t, does that make our belief true? 

In Scattered Snows, to the North, Phillips looks though the window of the past in order to understand the essential sameness of the human condition—“Tears / were tears,” mistakes were made and regretted or not regretted, and it mattered until it didn’t, the way people live until they don’t. And there was also joy. And beauty. “Yet the world’s still / so beautiful . . . Sometimes // it is . . .” And it was enough. And it still can be.

the tenth poetry collection from amanda lovelace deviates from the well-worn path of fairy tales & myths, instead bringing readers face to face with the person behind the poems that have made her beloved.

from bestselling poetess amanda lovelace comes she followed the moon back to herself, an autobiographical standalone poetry collection that follows a woman who--through heartbreak, bottles of rosé, & the general messiness of life--felt like she completely lost who she was. each bitesize poem shines a light on where she's been & how she's managed to overcome it all, offering a dose of hope & moondust to all who join her on the journey back to herself.

An extraordinary career-spanning collection from one of the most revered poets and storytellers of our age

Tracing the legacy of Margaret Atwood—a writer who has fundamentally shaped the contemporary literary landscapes—Paper Boat: New and Selected Poems, 1961–2023 assembles Atwood’s most vital poems in one essential volume.

In pieces that are at once brilliant, beautiful, and hyper-imagined, Atwood gives voice to remarkably drawn characters—mythological figures, animals, and everyday people—all of whom have something to say about what it means to live in a world as strange as our own. “How can one live with such a heart?” Atwood asks, casting her singular spell upon the reader and ferrying us through life, death, and whatever comes next. Atwood, in her journey through poetry, illuminates our most innate joys and sorrows, desires and fears.

Spanning six decades of work—from her earliest beginnings to brand-new poems—this volume charts the evolution of one of our most iconic and necessary authors.